Pinga Piano Notes (Bajirao Mastani)

Pinga Piano Notes , Keyboard Notations , Casio Notations

Pinga Piano Notes

Song : Pinga
Singer : Shreya Ghoshal
Lyric : Siddharth Garima
Music on : Eros

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Inga ga pori
Pinga ga pori
Pinga ga pori Pinga

Mala pingyani maala
Bholavli raat
Ghalavli pori pinga

Latpat latpat kamar daamini adhar ragini ho..
F#G#G#G#G#G#G#B, F#G#G#G#G#G#G#B
Hey.. latpat latpat kamar daamini
F#G#G#G#G#G#G#B, F#G#G#G#G#G#G#B
Adhar ragini nirdhar aayi kaise saji dhaji
F#G#G#G#G#G#F#, F#G#G#BBG#G#F#

Dekho mere piya ki sanwari jiya se banwari
Mere angna mein dekho aaj khila hai chaand

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Pinga Piano Tutorial

Pinga Piano Tutorial

The astonishing tune Pinga from the up and coming flick ‘Bajirao Mastani’ was divulged two days back. The melody included the main women of the film – Deepika Padukone and Priyanka Chopra. The melody got blended reaction from the film fan. In any case, now, it would seem that the chief of the film Sanjay Leela Bhansali did not get his certainties just before discharging the excellent melody. Obviously, the Maratha warrior – Peshwa Bajirao’s relative has lashed out at the film’s chief for not doing legitimate research and highlighting the tune in a wrong way.

Mohini Karkarey is a relative of the Peshwa’s and she has composed a public statement to Sanjay Leela Bhansali. Right from the ensemble, music and move step everything turned out badly in the most recent ‘Bajirao Mastani’ melody. Kashibai was Bajirao’s first wife and she experienced joint inflammation thus she couldn’t move. The hanging of the saree was wrong. Likewise the music of the tune is not unique but rather replicated from the lavani Latpata Latapata. There are numerous things that were not accurately picturised in the Maharashtrian melody Pinga. Here is the letter by Mohini Karkarey where she has specified every one of the certainties that ought to have been remembered by the

Sanjay Leela Bhansali has for since quite a while ago excited the group of onlookers with the overwhelming depiction through his film. Dynamic hues, extravagant sets and inclination for showy behavior is his claim to fame. However, when he reproduced the evergreen adoration story between the Maratha warrior Peshwa Bajirao and his darling warrior mistress and second wife Mastani, one anticipated that it would be an altogether research subject, after this film has been his fantasy his over 10 years now. In any case, shockingly the producer has just taken a gander at the stylish part of the tune, while totally disregarding the conventional and anthropological factors.Pinga, including Mastani Deepika Padukone and Kashibai Priyanka Chopra makes them glare misrepresentationin each office.

This is what else isn’t right with the melody.

Outfits turned out badly

Firstly, Priyanka and Deepika wear softened cowhide cholis in the tune, yet this material was not accessible in the eighteenth century. The hanging of the customary nine yard saree too is inaccurate. Kashibai, Bajirao’s first wife had a place with the highborn Maharashtrian Brahmin family,she would not have worn it like delineated in the melody; dressed like a run of the mill lavani artist. A Pune based style originator who works with diverse customary Maharahtrian weaves says, “There is no consideration paid to the anthropological angle in the tune. The emphasis is just on beautification and excitement. There are a few glitches in the fabric, hanging and general presentation of regal ladies from the Peshwa time.

Music turned out badly

The music and beats are outrightly duplicated from a popular lavani Latpata Latapata and is gently roused by the society melody Nach Ga Ghuma. It additionally has a light kind of another well known lavani Lagali Konachi Uchaki. In this way, Pingaa is lifted from one, yet three tunes and still is not in any case credible! Another real issue with this melody is the stereotyping of Mahasrashtrian ladies. It is pitiful that Bollywood feels that the best way to demonstrate a Marathi lady is to place her in a nauvari, give her a nath and make her spin to the beats of Lavani. There are numerous ther society move structures including phugadi and jhimma.

Wrong move steps

Excepting maybe a couple mark ventures of Pingaa, every other step are lifted from the prominent move structure Lavani. Presently, Pingaa is performed by Mahasrashtrian ladies at affectionate all ladies family works and has normal hand motions less the bouncing of head and hip twirl that Priyanka and Deepika are seen doing in the tune. Dr Prakash Khandge, a specialist on Marathi people workmanship says, “Pingaa is a conspicuous society move of ladies in the state and it is performed at conventional celebrations like manglagour, bhondla and bother panchmi. The creators obviously mistook Pinga for Lavani. In spite of the fact that basically needed to speak to Pingaa, yet wound up indicating Lavani. The move is a long way from credible.” Having said that, he included that what Sanjay Leela Bhansali shows is mess in the middle of Pingaa and Lavani, sans the sensuality of the recent.

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